To move your story forward, think about oppositions.
Often, change happens in opposition. When we understand the things working in opposition in our stories, we can use them to maintain our story’s tension.
Often, change happens in opposition. When we understand the things working in opposition in our stories, we can use them to maintain our story’s tension.
How do you move beyond the fear Resistance elicits? Steven Pressfield says our first job is to invoke the Muse.
In his book The War of Art, Steven Pressfield says, “Resistance hates it when we turn pro, because pros beat Resistance at its own game.” In part two of his book, he shares the differences between amateurs and pros.
Resistance is the voice within all of us that does its best to maintain the status quo. While it can show up at any time, it’s more likely to drop by when we’re following a call from the soul.
In his book The Art of Time in Memoir, Sven Birkerts says that involuntary memory is the gateway to the real past.
In Fearless Confessions: A Writer’s Guide to Memoir Sue Silverman writes, “you’ve all heard the cliché ‘A picture is worth a thousand words,’ but it’s also true—maybe more true—that one word is worth a thousand pictures if it’s the right word.”