Five Ways to Write with an Open Heart

–Originally Published in the August 18, 2017 Newsletter for WriterHouse “Don’t be afraid to be confused. Try to remain permanently confused. Anything is possible. Stay open, forever, so open it hurts, and then open up some more, until the day you die, world without end, amen.” ― George Saunders, The Braindead Megaphone At noon on Saturday, August 12th, I sat in a meditation session with twenty-five other people. Cloistered in a yoga studio, we silently practiced loving kindness meditation while sirens blared and helicopters flew overhead. By the time the event ended, chaos had enveloped our downtown. Roving bands of angry men carrying shields and batons walked the city streets. Heather Heyer was dead. The scene and the sounds were shocking. I couldn’t believe what was happening to my beloved city. By the time I made it home and turned … Read More

Psychic Distance

In my high school biology class we sliced off transparent films of onion skin with our fingernails then slipped them under wet-mount slides in order study plant cells. My onion was red. I dyed it with a single drop of methylene blue so the nuclei would be visible. As kids around me chomped gum and slipped notes to each other, I pressed my forehead to the eyepiece, certain I was about to witness a miracle. With a few adjustments to the focus, the plant’s cells appeared. Rows of nuclei stared back at me. It was like looking into the onion’s soul. Sometime editing feels like working under a microscope. We lean into the page, hoping our intense study will reveal the story’s genetic code. Strings of words are analyzed, sentences built then tossed out. It’s easy to believe that composing … Read More

Second Draft Revisions: Rolling with Resistance

In 2014, I attended a book talk with Dr. Rosenthal, the psychiatrist who first described seasonal affective disorder and the author of The Gifts of Adversity. During the question and answer period, an audience member asked him what he felt was the most important aspect of writing a book. His answer: You have to have something you really want to say because writing a book takes a lot time. It’s easy to get sidetracked. As I’m working on the second draft of my memoir I’m internalizing this wisdom. I consider revision to be the Act Two of the writing process—you know, the part with all of the obstacles. There’s the flagging motivation, the boy am I sick of this feeling that sometimes tickles the back of my throat, the pressures on my time. When writing the first draft, everything felt … Read More