Telling It Slant

This essay was originally published in the January 31st edition of the WriterHouse Newsletter In 1993, the movie Groundhog Day was released in cinemas. If you’ve forgotten the movie’s premise, here’s a recap. Phil Connors, an arrogant Pittsburg weatherman played by Bill Murray, is assigned to cover the Groundhog Day celebration in Punxsutawney, Pennsylvania—home of the famous Punxsutawney Phil. The next day he finds himself in a time loop, repeating the same miserable day over and over. And, because it’s a comedy, hilarity ensues. I enjoyed Murray’s irreverence and the director’s use of the radio to cue the time loop. But what I remember most about the movie is that while each day was a repeat of the one before, we as viewers perceived them differently based on the details. In Fearless Confessions: A Writer’s Guide to Memoir Sue Silverman writes, … Read More

On New Year’s Resolutions

A version of this post was published in the January 5th edition of the WriterHouse newsletter. On New Year’s Day, 1985, I wrote down a list of goals for the new year and promised to do this until the year I die. Thirty-two years have passed. Every year, I faithfully sit on my bed and read past resolutions before creating new ones. I keep them in a pink fiberboard jewelry box my great-grandmother gave me. The earliest resolutions were oragamied into squares teens of a certain decade will recognize. Over the years, resolutions have included travel plans, getting a boyfriend, skydiving from 10,000 feet, and being kinder to others. Some were completely unrealistic, like be 100% happy all the time, while others were easily achieved. Goals I met received stars or checks. Unmet goals were left for another year. From … Read More

Psychic Distance

In my high school biology class we sliced off transparent films of onion skin with our fingernails then slipped them under wet-mount slides in order study plant cells. My onion was red. I dyed it with a single drop of methylene blue so the nuclei would be visible. As kids around me chomped gum and slipped notes to each other, I pressed my forehead to the eyepiece, certain I was about to witness a miracle. With a few adjustments to the focus, the plant’s cells appeared. Rows of nuclei stared back at me. It was like looking into the onion’s soul. Sometime editing feels like working under a microscope. We lean into the page, hoping our intense study will reveal the story’s genetic code. Strings of words are analyzed, sentences built then tossed out. It’s easy to believe that composing … Read More